I knew I had seen and loved it, but as with Shortcuts, I couldn’t remember a thing. Now, memory is an odd fellow, and often you’ll immediately recognize what you couldn’t actively remember – but not me, in this case. Every part of it was just as fresh and new as it was when I first saw it, and that is just as well, for it is a terrific and clever script, and surprises in general work much better when you don’t know they’re coming. Tom Hanks is wonderful as the lead character, an asshole producer in trouble, there are numerous celebrity cameos, and the opening scene rivals the one in Bertolucci’s 1900. In fact, just seeing this long continuous setup made me want to rewatch 1900, and to my dismay I found that it is available neither at Netflix nor Amazon, and the studio doesn’t currently offer DVDs of it for sale. A remark oddly fitting for the end a minireview of a satire about the movie business.

Drama, English, Good, Movies, Satire | No Comments »

Just having talked about how Sunset Boulevard is still haunting after all these years, here is an example of the opposite effect. A great and important script, great acting, impeccable direction and photography, indeed the whole things reeks of masterpiece, yet the story and message seem pale to me. Maybe it’s the fact that this was followed by so many movies after this one painfully driving home the message of war being hell inflicted by the powerful on the poor. That being said, the final scene, where Douglas’ character listens to his soldiers first degrading a german woman, and then sentimentally singing along with her, is very touching, in spite of its kitschy message: War may be hell, but not everyone condemned to it is an unreconcilable sinner.

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It is always risky to watch the classics, because the time that has passed since they wowed the world has changed viewing and storytelling conventions in often profound ways, and what used to be a captivating thrillride can turn out to be boring or emotionally incomprehensible. With Sunset Boulevard, the problem exists on two levels, as the subject of the film itself is the sinking into oblivion of one medium – silent movies – and its stars. The haunting scene where the looming figures of the silent era – Buster Keaton among them -, are playing cards in Norma Desmonds house is doubly spooke, because they are Has-Beens within the movie as well as without. Wilder has applied this eery unity to many of his characters, with Gloria Swanson, who is playing Norman Desmond, herself being a former silent movie star, with Erich von Stroheim playing Max von Meyerling – essentially himself, and with the added twist of Strohheim’s having shot the movie that ended Swansons career. This movie is an epitaph on a dead art. And, coming full circle, it works marvellously well today, adding one more layer, as though the person giving a gripping speech at a funeral themself was dead.

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This movie is sheer genius, and an impressive feat of diligence and design to boot. The humorous plot devices are incredibly inventive, the rabitt armada is a force of cuteness that has no peer, and the combination of horror movie and vegetable gardening is just delicious. Even the special features on this DVD kick ass, with an awesome bonus short from Aardman studios, and the precious piece of information that Wensleydale, the watery cheese Wallace loves so much, was in deep financial trouble until the films came along and saved the company. Reminds me of the insane effect the movie Sideways and it’ main character’s criticism of Merlot and praise of Pinot Noir had on the sales of these wines. People are sheep, which is not only bad in itself, but also about ten years behind the vogue. It’s rabbits, now, folks, so you better start thinking for yourself. About nice, juicy carrots.

English, Movies, Must See | No Comments »

Peter Sellers was a very funny person, but he was also deeply disturbed and, this movie suggests, refused to become a responsible adult all through his life. This movie is often hilarious, incredibly well acted, especially on the part of Geoffrey Rush, who is as amazing and chameleonlike as Sellers himself used to be, but unfortunately lacks coherence. More a collection of individual snippets than a single story arc, the plot leaves out a lot, and the frequent breaks in the narrative, with Rush taking on the roles of people important in his life, walking literally off the stage of the scenes, while an ingenious device, add confusion to an already meandering tale. Still, very impressive and entertaining.

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Most of what this movie reveals about the criminal mastermind Kissinger was already known to me, and while the detached way the material was presented made the movie seem much more objective and unassailable as any movie ever could be, it also produced a feeling of heavy handed redundancy. I think if my choices are polemic hilarity, as in Moore’s borderline scenes in Bowling for Columbine, and serene factuality, I’ll take the raving fat man any time. The most interesting suggestion came at the very end, when either the author of the book this movie is based on, or the films director, suggested that the reason the US hadn’t joined the international court yet was that they were very afraid of public scrutiny of Kissinger’s files. It almost makes too much sense.

English, Good, History, Movies, Politics | No Comments »

As usual with obscure stuff on our Netflix list, I forget where I came across this or why I ordered it. A quick IMDB and google search reveals that Argento, and this movie in particular, have a devoted fanbase who consider him a visual genius and Suspiria the paragon of horror movies. I beg to differ. While the design is original, and it’s always a delight to see Escher’s art, even if it’s misplaced, the plot, acting, effects and direction suck just too badly to be bearable. The attack of the rubber bat is a comic highlight, in an otherwise overly long C movie, and the tagline “the only thing more terrifying than the last 12 minutes of this film are the first 92” is awkwardly fitting.

Avoid, English, Horror, Movies | No Comments »

I have wanted to see this ever since I saw the trailers on HBO when it first came out, firstly because the subject seemed interesting (the invention of heart surgery combined with the story of racial discrimination in the medical establishment), and because Alan Rickman plays one of the main characters. Those were good enough reasons, but as it turns out, Mos Def almost steals the show playing the other lead. The whole way of story delivery is a smidge on the sentimental side, but not enough to spoil a touching historical tale.

English, Gesundheit, Good, History, Movies, Science | No Comments »

I have to admit to being reluctant to go see this, mainly because I thought it would, beyond the taboo breaking gimmick which seemed to have catapulted the two cowboys into the center of the cultural universe, be an inconsequential and boring love story. Now I feel reluctant to point out how wrong I was, because I’m sure you must’ve heard by now that this is a touchingly real story about failed lifes, magnificently filmed in a beautiful setting.

English, Good, Movies, Politics, Western/Eastern | No Comments »

This could have been a marvelous homage to martial arts movies in general and the Zatoichi series in particular, full of references to details of Japanese culture, and funny little scenes. But unfortunately the plot, which should have been a simple story of evil oppression and the lone swordsman who breaks it, is told in such a fragmented and oblique style, that it gets into the way, rather than providing the frame upon which all the fine details are hung. It’s too bad, there is so much to love in here, but it all just doesn’t come together.

All Right, English, Japan, Martial Arts, Movies | No Comments »