Search

Japan



Wednesday, May 31st, 2006

Herbert P. Bix – Hirohito (2)

hirohito.jpg I’m not sure whether entering a field of knowledge through a basic introduction, or from the middle of an ongoing controversial debate is preferable. Bix’s book represents both aspects, being aimed at those familiar with Japanese history, arguing the case for a change in the perception of wartime emperor Hirohito, from benevolent onlooker and powerless figurehead to bearing full responsibility for Japanese war atroctities and aggression both before and during the second world war. At the same time, it adresses the general reader, using the Sh?wa emperor’s biography as the focal point for depicting the making of modern Japan. The balance between these two different books is worked out fairly well, with some passages dragging on a bit too long, due partly to an overabundance of detail and a flurry of Japanese names and concepts that are sometimes not introduced well enough to properly keep track of for the non-initiated reader.

The controversial main aim of the book, the recasting of Hirohito’s image that had been so carefully constructed by restorative forces in postwar Japan, convinces completely, and the detailed description of the political and social processes that had MacArthur and Hirohito discover their joint purposes during the crucial time of occupation and war crime trials, is especially fascinating when compared with postwar policy in occupied Germany at the same time. In both countries Roosevelts aim of completely uprooting the barbaric aggressive forces that caused the wars, and the chance for an honest assessment of guilt and morality was sacrificed by the Truman administration for practical political strategems in fighting the cold war and the rising communist menace.

Find this at Amazon

howl.jpg If some of the battling nerds on the movie’s IMDB page are to be believed, Miyazaki’s adaptation of this beloved children’s classic was a disgrace. I read the book (the existence of neither it nor its author I suspected until I checked said IMDB page) with that criticism in mind, and have to say: balderdash. While it is true that the two stories diverge in minute details, and that Miyazaki added elements typical for his work, and created visuals not prescribed in Jones’ book, the two are remarkably congruent. The story does make a bit more sense in the book, but then I’m not sure that’s necessarily a good thing in a book about demons falling from the sky and stealing hearts. I was smitten with the strangeness of Miyazaki’s take, and the straightforward resolution left me a bit underenchanted. On the other hand, the character’s behaviour makes more sense in the book, making them both more likeable and more interesting than the somewhat randomly bouncing anime folk.

Saturday, March 11th, 2006

Andrew Horvat – Japanese Beyond Words (2)

It’s always hard to get a feeling for a foreign culture without being immersed in it, and it’s probably even more difficult when the gap is as large as it is sure to be between so called western countries and Japan. I find the insistence of most introductions to stress the quaintness and formality of Japanese customs a bit irritating, for the blind eye it turns on equivalent behaviours in the reader’s home culture. Generally, a big deal is made for instance of the different distinct levels of politeness or about set phrases for different social situations, as though neither of these existed in other cultures. While this issue crops up in this book as well, much of the specific information in it is really helpful, and it is a nice read to boot.

Thursday, March 9th, 2006

Hongo Mitsuru – Outlaw Star (3)

Having cute and ferocious female tigers with big boobs might not be generally considered the peak of sophisitication among science fiction afficionados, but the level of plot and design in general is higher than the screaming tiger lady would have you expect. The Japanese is simple enough to give this apprentice at Japanese occasional thrills of recognition (He said Ikemashoo! He said Ikemashoo!), and that almost seals the deal. But I think I’ll still stop watching this after episode three. So much to see, so little time.

Monday, March 6th, 2006

Takeshi Kitano – Kikujiro (2)

Not before I looked the movie up on IMDB did I realize that the reason the main character looked familiar was that I had just seen him in Zatoichi, playing the title blind swordsman. As with Zatoichi, Kitano wrote the script, directed and played the lead in Kikujiro, the odd tale of a summer vacation a young kid spends with Kikujiro, a smalltime crook and loudmouth with a good heart. The movie felt a bit too long, but that might in part have been due to the strangeness of it all. Most of what the main character did didn’t make much sense to me emotionally, but not in the sense of it being written badly. Rather, all the relationships and communications here were partially opaque to me – in other words, adhering to strange conventions. Not knowing whether these are Kitano’s conventions, or those of Japanese culture in general, I can but try and unravel the mysteries of a character who is very abusive and mean, yet respected and humoured by everybody except the tough criminals he runs into at a fair. Cultural mysteries aside, there are wonderful images and ideas here, and lots of little surprises.

Tuesday, February 21st, 2006

Akutagawa Ryunosuke – Kappa (2)

The cover blurb calls this a satire on Japanese society and its customs, and when I randomly opened at some place, it indeed seemed a very funny and acerbic recasting of the Japanese into the Kappa. While this turned out to be quite misleading, it also turned me onto a book I probably wouldn’t have read otherwise. A lucky turn. The story is of a human being suddenly cast into Kappa society, the Kappa being somewhat malevolent mythological creatures of Japanese rivers, scaly amphibians apt to drag children into the water and drown them. The tone and setting is more than a bit reminiscent of Abbott’s Flatland, which Ryunosuke well might have read, and the absurdity of the goings on in the land of the Kappa reminded me of Daniil Kharms, but all in all, this is quite a solitary achievement. Born, as Ryunosuke himself said, out of his disgust with everything, especially himself, this story presents a caricature of humanity unlike anything I’ve read before.

Friday, February 3rd, 2006

Takeshi Kitano – Zatoichi (3)

This could have been a marvelous homage to martial arts movies in general and the Zatoichi series in particular, full of references to details of Japanese culture, and funny little scenes. But unfortunately the plot, which should have been a simple story of evil oppression and the lone swordsman who breaks it, is told in such a fragmented and oblique style, that it gets into the way, rather than providing the frame upon which all the fine details are hung. It’s too bad, there is so much to love in here, but it all just doesn’t come together.

Monday, January 23rd, 2006

Neal Stephenson – Cryptonomicon (2)

This book has it all, geeky and cool facts about cryptology, military, social and technological history, a fairly believable conspiracy plot, insights into high-tech investment politics and an epic breadth and richness of materials that stunds. So why did reading it feel so tedious, and why was I glad when it finally was over? Maybe it’s because of the odd feeling of detached interest that perfuses the work. Stephenson describes the human dimension of his adventure with the emotions of a boy watching ants through a magnifying glass on a sunny day, just before he decides to see what happens when he burns them. It’s a terrific story, but it felt like someone else was reading it.

Sunday, January 8th, 2006

Yamamoto Tsunetomo – Hagakure (2)

The more I learn about Japanese history, the more I wonder how it is possible that the European captains found anybody alive there at all when they arrived. They should have disembarked, a fearful expression on their faces, and waded in blood, among the guts and remains of the honorable dead, who slashed themselves open to maybe make amends for an ill chosen colour of off-white for the master’s new lampshade, or some such. This makes for very fascinating reading, but it is indeed hard to understand how a society, in which disrespect leads to fights to the death, which in turn means seppuku for those who started them, could have functioned, Maybe, then, Yamamoto exaggerates wildly. This is somewhat more plausible for modern readers when they realize that some of his short texts read like they are the direct inspirations for Monty Python’s suicide squad lead by Otto in The Life of Brian, and the Black Knight in the Holy Grail – now of course available as a plush doll, which probably would have horrified old Tsunetomo right into killing himself.

Tuesday, January 3rd, 2006

Rough Guide to Okinawan Music (1)

Okinawa is located on an strategic spot of ocean real estate, and has been occupied by numerous foreig powers throughout its history. This stormy military past has forged the island’s strong martial arts tradition, but a side effect of a multitude of traders and soldiers passing through is a multilayered cultural richness. This compilation collects a broad variety of styles, themes and artists, from the amazing traditional sanshin tune Koko Kuduchi to the joyous modern surf pop of The Surf Champlers. While the variety of material makes sure that there have to be a few songs for everyone they could have done without, overall this is a shining jewel and wonderful to explore.