A gripping real life story of an honest cop in the late 60s in New York, and the breakthrough for Al Pacino as a big movie star (though I was a bit surprised to hear both the producer and director Lumet talk about how the Godfather was truly Brando’s movie. While old tissuecheek certainly is a very strong presence in that flick, I’ve always felt Pacino and Brando as equally strong. But je digresse). The story, and Pacino’s character based playing, are very intense, and the fascinating fact from today’s point of view is that the movie moves at a quiet pace, yet doesn’t seem slow – a bit too long, maybe, but that’s probably due to an original script that was double the length and needed to be heavily cut. Other cool piece of trivia: the real Serpico came to rehearsals, and was studied by Al Pacino, then shown the door by Lumet once shooting started, and was – or so Lumet reminisces – crushed, because he felt he become friends with them, while to them he was a object of professional interest. He also once told the producer Martin Bregman, in a movie theater empty except for the two of them, that he couldn’t smoke, because it was against the law. Go, Serpico!

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Though the lack of meaning and its pulpy plot development are part of the concept of this highly stylish science fiction comic come alive, it drags a bit toward the end, when even the vestiges of development devolve into a series of ever fancier military gadgetry being deployed. The design is quite nice, but with a bit more reflection on the history and significance of the original artwork it could have also had significance. Ah, well.

Drama, English, Fantasy, Good, Movies, Science Fiction | No Comments »

A nice coincidence that this movie would be the next on our Netflix-list after Dirty Harry – this is the movie Dirty Harry should have been (of course that’s somewhat unfair, considering the time gap, but would Harry want me to be fair? There). Where Eastwoods cop sets out to right wrongs in a very private moral (or lack-of-moral) code, this movie unfolds as a giant tragedy, where we can have empathy with everybody, even as they do things that are wrong to begin with, and turn out even worse. “I know you’re a good guy” says the vengeful industrialist in the climactic scene, “so you’ll understand why I have to kill you”. So do we, caught in the same violent logic, and as unable to escape it as any of the characters. Terrific and terrifying.

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It’s a classic among vigilante movies, the best of the series it spawned, and it has Clint Eastwood in it, playing a socially disconnected moralizing force of one, dealing revenge and retribution without restraint. That setup works in Leone’s Man With No Name series, probably in part because of the cool, detached direction and abstraction of the old west setting, but also because we are never supposed to take Eastwood’s side in those. I wanted to rewatch Dirty Harry because it’s set in San Francisco, quickly realized I had never seen it before, and found myself distracted from the sweeping views of bay and bridge by the manipulative moralizing message that weaves through the film. Mores are crumbling, and with a weak justice system unable to keep the depravity in check, men like Harry have to clean up, and get dirty in the process, a dark avenger, protecting us all. Feel reactionary today, punk?

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If you’ve watched this show at all, it doesn’t come as news to you that oftentimes hilarity is caused by it. But recent episode five of season three, titled Mr. F, surpasses anything they’ve done so far. The whole episode is an elaborate sequence of absurd coincidences that set up a climactic scene, where a group of Japanese investors is shown a miniature city (which they believe to be the real size model homes they are about to help finance) being trashed by Tobias in a mole suit and George Michael with a jet pack. I have not seen anything so funny on TV in quite a long time. Sheerr brilliance.

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Nacht, aussen. Buntes Licht im Schee. Sirene.

Lautsprecherstimme: Get out of the traffic and park your car.

Ein Schnauzbartträger steigt aus der Highway Patrol Wagen. Der virtuelle Schnauzträger am Steuer des gestoppten Wagens lässt die Scheibe runter.

Schnauz: Get out of your car. You know why you got pulled over? For speeding. I need your license.
virtueller Schnauz: steigt aus. Speeding? Händigt den Führerschein aus.
S: scharf That’s what I said. I didn’t stutter. Sit on the passenger side.
V: schluckt, steigt ein
S: Where are you headed?
V: The Bay Area.
S: Do you have any idea what the speed limit is on this road under chain conditions?
V: Err.
S: It’s obvious you don’t, you don’t give a damn. What do you think the speed limit might be?
V: Well, I thought it would be whatever is reasonable to drive under these conditions.
S: You think it might be 65?
V: schaut aus dem Fenster, wo ein Schild mit einer 65 drauf am Strassenrand steht, wittert die Falle. No.
S: Have you ever been an officer?
V: ?
S: schärfer Have you ever been an officer?
V: No.
S: Well, I have been an officer for 23 years. Have you been at the site of an accident?
V: Err. No.
S: I have been. I have seen cars like yours tipped over. How fast were you going just now.
V: Err, probably something like…
S: 52 maybe?
V: Err.
S: Do you think you might have been going 52 miles an hour?
V: I guess so.
S: Would you be surprised if I told you that the speedlimit on this road is 30 miles an hour right now?
V: gulp
S: That’s right. Did you see me driving along at 40 miles?
V: kleinlaut Yes.
S: Did that make you think?
V: unverständlich
S: When I was flashing my lights at you? Did that give you any ideas?
V: stammelnd Err, I didn’t, wasn’t, I thought, err. No.
S: Nickt zufrieden That’s quite obvious. You know why we close this road? It’s because of people like you in big SUVs, who think they are safe. Caltrans wanted us to reopen the pass, because it has been closed for so long.
V: guckt wie ein Schaf I didn’t see any signs.
S: nickt grimmig Yes, they’re all snowed over. pausiert kurz If I gave you a ticket not, it’s for dangerous driving. That’s 300 dollars.
V: guckt wie eine Schafherde
S: Did I make a point?
V: Mäh!
S: Excuse me?
V: Yes. A whole bunch of points, actually.
S: I hope so. We don’t want to see you hurt, or your lady, or other people. Gibt den Führerschein zurück. Obey the speedlimit.
V: Yes. I will. Have a good night. Steigt aus und stapft durch den Schnee zurück zum SUV.

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